Family Stories Shared in Author and Artist Belle Yang’s Exhibit at de Saisset Museum

“Up on Granddaddy Hill,” one of Belle Yang’s many engaging and culturally-rich paintings, was inspired by her father’s painting of Granddaddy Hill. Yang explains that the people in her painting are heading up the hill to a family burial ground in Manchuria where eight generations of her father’s ancestors were buried. Later, communists overtaking China seized the hill and built upon it. The graves have been dug up and the bones tossed out. Both Yang and her father’s paintings, along with other images, are now on display at Santa Clara University’s de Saisset Museum in the exhibit Crossing Cultures: Belle Yang, A Story of Immigration, open through Dec. 4.

“When I learn about my parents’ past and listen to their old stories, I learn to understand how my parents’ stories unfolded and made me who I am today,” Yang says. “I started doing art as a child. [I attended Scotland’s Stirling University.] I went to art school after I graduated from U.C. Santa Cruz with a degree in Biology. I also attended Pasadena’s Art Center College of Design and that’s where I found my voice. And then I went to Beijing where I stayed for three years and studied art for about two years. Here, I got into the illustration circuit. I came home after the Tiananmen Massacre.”

Yang discusses another painting she’d done featuring San Francisco’s Chinatown from “Hannah is My Name,” a picture book she authored and illustrated.

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“That book is based on my family’s arrival to San Francisco in 1967 on my father’s student visa; he wasn’t allowed to work as a student but he had to work to keep the family going,” Yang says. “We were waiting for our green card which would allow my mother and father to work. It’s a Chinese immigration story I’ve shared in schools I’ve visited. Some of the students I’ve talked to, such as Latino students, are surprised to find out that people from other races who arrive in the United States also need green cards.”

Also part of the museum exhibit are pages from Yang’s graphic memoir, “Forget Sorrow: An Ancestral Memoir,” which shows Yang’s visual records of her parents’ stories about their lives in China.

“When I talk to children at schools, I encourage them to go home and ask their parents what music they listened to, when they fell in love, what food they ate as children,” Yang says. “When I speak to the kids, I try to get them to start asking these questions while their parents are still alive so they can figure out who they are and how they became who they are.”

The de Saisset Museum is on the Santa Clara University campus, adjacent to the Mission Church. Visit scu.edu/desaisset for details about museum hours and directions.

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